• About the Author
  • Book: Art and Sacred Sites: Connecting with Spirit of Place
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Art and Sacred Sites

~ Glen Rogers shares her artist's journey of travel, inspiration, and creating art.

Art and Sacred Sites

Tag Archives: Glen Rogers

My Interview with Karen Kinney in her Divine Feminine Newsletter

05 Friday Aug 2022

Posted by glenrogers in Sacred Feminine in ARt

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Tags

archetypes, Divine Feminine, Glen Rogers, inspiration, Sacred Feminine, Spiritual in Art, spiritual journey

Glen Rogers in her studio
1.) Tell us as little bit about your path with the divine feminine. When were you first drawn to the goddess, and what did that look like for you? 

Reading books in my late twenties like The Chalice and the Blade by Riane Eisler and When God was a Woman by Merlin Stone opened my eyes to a world of early Matriarchal cultures and the Sacred Feminine. I learned of ancient Goddess cultures, where women rulers and priestesses presided and held court in peaceful agrarian societies. Women were honored in each stage of life – maiden, mother, crone and as sacred life-givers, healers, and wise leaders. With these new revelations, I began choosing a spiritual path that honored that Goddess energy via my connection to Mother Earth and La Luna. Through meditation, my stream of creativity, and a connection to nature, I felt Her presence as a guiding light. I began traveling to sacred sites such as Paleolithic cave sites in South of France, representing the womb of the Mother and Newgrange in Ireland, with womb-like tunnels replicating the birth canal. Feeling that Goddess energy and walking in the footsteps of the grandmothers inspired and continues to inspire me.

2.) How would you describe the process of giving birth as a creator?

The act of creating is one of the most beautiful things in my life and I am grateful every day. In the early morning, sitting with my coffee and journal, I receive some of my most inspired ideas. These are just seeds of inspiration that I write or sketch out–and it’s up to me if they germinate and develop into something worthwhile. At this early stage and later in the studio when I’m in the flow, I often feel that I’m co-creating with a higher power which I call the Goddess energy. Listening to Her message and my intuition are part of my art practice. As a visual artist, I follow the writer’s adage “show up at the page.” Which means whether I’m in the mood or not, I go to the studio, because inevitably something happens. (And it is a sure thing that if I don’t show up–nothing will.) I always have a couple of projects going on at the same time to keep my juices flowing. Right now I have a large-scale charcoal drawing on my painting wall, a series of small monoprints in the works and an accordion book called Seed of the Divine that I just completed. The Sacred Feminine and her symbols, like the moon and the spiral, appear throughout–and all are inspired by my recent trip to Ireland. I travel a lot for my inspiration, taking pilgrimages to ancient Goddess sites around the world. My book, Art & Sacred Sites: Connecting with Spirit of Place, is about these journeys and the art inspired by my experiences. Creating art is truly a birthing process for me that requires time, focused energy and love. 

3.) This November, you are offering a divine feminine gathering for women in San Miguel. How did the vision for this gathering initially form and come into being?

The idea for Calling the Circle started to take form as I was promoting my second book, Symbols of the Spirit: A Meditative Journey Through Art in California in 2019. While I was giving book talks and sharing my journey to mainly female audiences, I began looking for more ways to inspire through my stories and artwork. As my friend and mentor, Priestess and Doctor of Chinese Medicine Dr. Ratka Mira Popovic and I were brainstorming ideas, we envisioned a women’s gathering in San Miguel de Allende Mexico where I live. I realized that San Miguel is the perfect location for our Gathering – a beautiful city with a definite spiritual and feminine energy. Even though Covid hit shortly after, the seed had been planted and I began forming an advisory council of women in the community to help birth the event. I think we were all feeling a hunger for this Gathering – as a way to connect to each other and to ancient Goddess wisdom. We join women around the world who are looking for ways to reclaim their spiritual roots and connect to the Sacred Feminine. Especially after Covid, we want to create an event filled with inspiration and empowerment. 

Karen Kinney is a writer, visual artist, and teacher and has recently published her 2nd book Doorways to Transformation: Everyday Wisdom for the Creative Soul.  I am honored to have Karen on our Advisory Counsel for the Calling the Circle Gathering in November. If you would like to sign up for Karen’s Divine Feminine Newsletter, contact her through her website.  karenkinney.com

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The Vessel, The Chalice, The Cauldron An ode to the Divine Feminine

29 Sunday Jul 2018

Posted by glenrogers in archetypal symbols, Sacred Feminine in ARt, Uncategorized

≈ 6 Comments

Tags

Cauldron, Divine Feminine, Glen Rogers, Oil paintings by Glen Rogers, Sacred Feminine, Sacred Symbols, The Chalice, The Vessel

 

The Chalice

The Chalice, Oil on Canvas, 40″ x 34″

The vessel, a simple utilitarian object, is layeredwith metaphorical meaning.  At its essence, the vessel is a symbol for the human body – specifically the female body, which carries and nurtures the child within. Mimicking a pregnant woman, the vessel bulges out at the center into a curvilinear shape. In pagan societies, the cauldron was a symbol for the womb of the Great Goddess and offered the power of rebirth.

The famous Chalice, some scholars believe, was actually Mary Magdalene, the sacred vessel that held the Christ child. According to Barbara G. Walker in her book, The Crone: Woman of Age, Wisdom, and Power, the vessel was the source of life, wisdom and inspiration in pagan religions. At its most primal level, it is a sacred container that will forever be connected with magic and the act of creation.

Even the simplest hand-made pot can transcend the ordinary and reflect the spirit of those who came before us. I gather these images around me and draw from them in the studio. The shape emerges and becomes the focal point of a painting or print often filled with a liquid golden light signifying its sacred nature.

Excerpts from my upcoming book, Symbols of the Spirit, A Meditative Journey Through Art.

www.glenrogersart.com

 

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Plastic Madness – An Artist’s Response to a global crisis

19 Sunday Nov 2017

Posted by glenrogers in Art from Recycled Plastic, Uncategorized

≈ 4 Comments

Tags

art against single used plastic, Art from found objects, exhibitions w recycled plastic, Glen Rogers, Mazatlan, OMA Galeria, plastic crisis, Plastic Madness, refuse plastic, San Jose City College

Glen Rogers and Deborah Kennedy at Plastic Madness Exhibition at San Jose City College
Glen Rogers and Deborah Kennedy at Plastic Madness Exhibition at San Jose City College
Angela Peralta Gallery, Mazatlan, Mexico
Angela Peralta Gallery, Mazatlan, Mexico
OMA Galeria, Mazatlan Airport
OMA Galeria, Mazatlan Airport
San Jose City College Gallery, CA
San Jose City College Gallery, CA

As an artist, my work is inspired by visiting sacred sites around the world and connecting with the spirit of place. I honor our ancestors and am enthralled by the symbols they left behind on rock walls and pottery shards.  I borrow from a universal language – like the spiral that speaks of renewal and the circle that speaks of wholeness, as well as forms from nature found in cultures around the world. My work comes from a personal place and has a mystical and meditative quality.

I have lived in Mazatlan, Mexico – a little slice of Paradise on the Sea of Cortez- for 17 years. I love walking the beach or down the Malecon – 7 miles of ocean-front sidewalk.  But something has disturbed my tranquil walks – more and more plastic – shopping bags, straws, bottles, caps, styrofoam, etc. is in my path. Sadly, my walks have become more of a garbage pick-up excursion. And I have begun to learn more about the bigger problem with plastic in our world via the internet:

  • An estimated 5.25 trillion pieces of plastic are currently in the oceans, a third of which is concentrated in the infamous Great Pacific Garbage Patch – possibly twice the size of the United States!

I am not a political artist, but I do hold Mother Earth sacred, so how can I ignore her call for help?  Plastic is one of the biggest threats to our planet clogging our neighborhoods, highways, soil, beaches and oceans.  Ocean plastic pollution is killing more than 100,000 marine animals and birds each year. World-wide plastic production is increasing dramatically and every year we produce approximately 300 million tons of plastics. Plastic doesn’t decompose, it never goes away. We humans are negatively affected as the toxic chemicals in plastics are contaminating our bodies by entering our food chain and our water supply.

I decided to take action on the home front and also to take steps to bring the plastic crisis in focus. Here are some things I’ve done:

  • Recycle what I use at home and on the streets and beaches (not easy in Mazatlan because there is no city-wide recycling program)
  • Refuse plastic bags and straws at shops and stores (In Mexico, they give them out like candy!) “sin popote, por favor”
  • Re-use plastic bags, cups, etc that I have acquired
  • Take my refillable water bottle with me at home and on my travels
  • Created an anti-plastic logo and had some fabric shopping bags made that fold up and fit into a purse or back pocket as give-aways and gifts.
  • Started a Facebook page to disperse info found on the internet and to raise awareness to the plastic problem  (Campaña-Anti-Plástico-de-Mazatlan)
  • Created an informational hand-out to give out in both English and Spanish
  • Speak up to vendors, friends, and family to encourage them to also give up single-use plastic
  • And most importantly:                                                                                                  Curated an International Art Exhibition, Plastic Madness / Locura del Plastico inviting over 25 Mexican and U.S. artists to create artworks from plastic found in their daily paths.  This exhibition, with unique and compelling works of art, was shown at the Angela Peralta Gallery in Mazatlan to rave reviews, then at the OMA Galeria at the Mazatlan airport where it was viewed by hundred of visitors. (Many thanks to Dept. of Culture, Mazatlan and Claudia Gallardo, director of OMA Galeria.) The exhibition has now traveled to the U.S. and is currently being exhibited at San Jose City College (thru Nov 27, 2017). In this show, additional California artists were invited to join the Mexican artists uniting artists from these two countries in a common problem.  This show was co-curated by Katherine Levin-Lau and Deborah Kennedy. The next scheduled exhibition in the U.S. is Bluseed Studios and Gallery in Saranac Lake, NY in August 2018 where NY artists will be invited to participate.  (Carol Marie Vossler will co-curate the NY exhibition).  Additionally, a new Plastic Madness exhibition will be organized in San Miguel de Allende, Mexico, February 2019.

VERY FINAL Card Plastic.pages

Some of the work from the Exhibitions:

By Glen Rogers, Mexico
By Glen Rogers, Mexico
By Claudia Gallardo, Mexico
By Claudia Gallardo, Mexico
By Carol Marie Vossler, U.S.
By Carol Marie Vossler, U.S.

By Sean Boyles, U.S.
By Sean Boyles, U.S.
By Katherine Levin Lau, U.S.
By Katherine Levin Lau, U.S.
by Hugo Anaya, Mexico
by Hugo Anaya, Mexico
by Jane Gregorious, U.S.
by Jane Gregorious, U.S.
By Lucila Santiago, Mexico
By Lucila Santiago, Mexico

By Frizia Corina, Mexico
By Frizia Corina, Mexico
By Cy Rendon, Mexico
By Cy Rendon, Mexico
By Deborah Kennedy, U.S.
By Deborah Kennedy, U.S.

I believe that Art has a unique ability to engage our senses and raise awareness to this global crisis!

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Ancient Openings/Aperturas Ancestrales

07 Wednesday Dec 2016

Posted by glenrogers in ancient symbols, Art, Uncategorized

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archetypes, Bienal de Grabado, Creativity, Glen Rogers, ICPNA, inspiration, Lima, Peru, printmaking, spiritual journey, travel

img_8623-1

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I went to Lima, Peru in October, where I had a solo exhibition thru November 27 as part of the Bienal Internacional de Grabado (International Biennal of Printmaking) sponsored by ICPNA ( Instituto Cultural Peruano Norteamericano). There were over 40 exhibitions as part of the Biennal over a 2 month period and represented artists from Belgium, Brazil, Chile, Spain, the U.S., Finland, France, Italy, Mexico and Peru.

In this exhibition at Galeria ICPNA San Miguel, I had the opportunity to exhibit early large-scale prints along with recent works.  I created most of these prints at KALA Institute in Berkeley, California in the early 1990’s, they represent the beginning of my exploration into symbolism as my primary artistic expression. My work continues along this line, and it was gratifying to see how seamlessly the work flowed.

All of the monotype prints draw from a universal visual language of primal forms created by early cultures and inspired by nature.  The circle speaks of unity, oneness, wholeness, the sun and the moon; the spiral reflects renewal, regeneration, evolution and growth; the oval or ‘vesical piscis’ is a symbol from sacred geometry that implies the womb, the seed, birth, and the beginning of life.  My intent over the last 20 years has been to create work that reflects the essence of these forms that can touch us on an intuitive level.

I visit sacred sites shrouded in mystery and imbued with the spirit of the ancients for inspiration. With each pilgrimage, I am drawn to the artifacts left behind by these early societies – sculptural details carved in stone, glyphs painted on cave walls, and designs found on pottery shards.  In each location, repetition is found in the form of archetypal symbols such as the circle and the spiral – universal symbols that according to Carl Jung evoke a deep and unconscious response.  Early on, I was drawn to Paleolithic and Neolithic sites where images of Mother Earth, the Divine Feminine, were revered.  (Among them: Newgrange in Ireland, The Temple of Knossos in Crete, and the caves in the south of France.)  My more recent visits to Machu Picchu, the Nazca Lines, and Sillustani in Peru also reveal a deep reverence for nature, Spirit and the cycles of life. For me, each site represents a mystical opening, a passage to something greater than ourselves, beyond the human experience.

In the studio, bold symbols emerge from the inked plate in a somewhat stream-of-conscious manner, my head and heart filled with new material.  The monotype allows me a spontaneous approach and results in a one-of-a kind image. Scratching the plate with a drypoint tool, I create a textural surface suggesting primeval walls worn down by time.  A mystical and meditative quality references the ritual of sacred space while the curvilinear forms refer to the Divine Feminine.  Symbols create openings that can connect us to the past and to the spiritual realm. As I work the surface of the plate and access these ancient forms and markings, I feel an affinity with those who have come before me.

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Uxmal – Visiting a Mayan Treasure in the Yucatan

08 Friday Jul 2016

Posted by glenrogers in Uncategorized

≈ 4 Comments

Tags

archetypal symbols, Glen Rogers, Mayan sites, monotype prints, Sacred Sites in Mexico, Uxmal

Uxmal pyramd

Pyramid of the Magician

I had the good fortune to visit the the ancient Mayan city of Uxmal last February.  Excaping the craziness of Mazatlan’s Carnaval was a prime motivation, but landing in the Yucatan wasn’t a bad choice.  Uxmal is located outside the city of Merida, Mexico and doesn’t get near the number of visitors that Chichen Itza receives each day, 2000 vs 20,000 I was told. (I had visited Chichen Itza many years before.)  Plus, the day we visited it was overcast and rainy which also kept the numbers down and so a very pleasant experience.

Uxmal artifacts sm
Uxmal spiral

Walking the site was a visual delight. My eyes filled with this ancient architecture, my feet following in the footsteps of the ancestors. I crept inside a hidden space and sat for a moment, alone, soaking up the silence, overcome by the spirit of place. I was particularly drawn to the stone carvings, the circles, spirals, etc., the same universal symbols found in ancient sites around the world. Looking through an artist’s eyes, I relish the forms and shapes, the details.  This is what makes an ancient civilization come alive for me.

Uxmal overview
Uxmal pyramids

Some say Uxmal dates to around 6th century AD, others claim it is much older. I’m not much for retaining the history, remembering the names of kings, who ruled when, etc. so if you would like to learn more, you can visit this site: ancient-origins.net

Back in my Mazatlan studio, I play around with the shapes, creating a series of small 7″ x 5″ monotypes (one of a kind prints) – Uxmal I, II, & III. I layer texture and color to achieve the look of an aged document. As an artist, I am open to letting things happen on the plate, synchronicity in the studio, stacking the glyphs, letting them order themselves, and in this case, pairing them with a vertical column.

Notes from Uxmal I smNotes from Uxmal II sm

Notes from Uxmal III sm

Contact me if you are interested in my work or process. www.glenrogersart.com

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Inspired by Travel: Peru

13 Monday Jun 2016

Posted by glenrogers in ancient sites in Peru, ceremonial sites in Peru, Lima, Machu Picchu, TRESS, Uncategorized

≈ 4 Comments

Tags

Glen Rogers, inspiration, Lima, Machu Picchu, Peru, Peru Art Vacation, Sacred Valley, Taller TRESS

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Machu Picchu

As an artist, I have been traveling for over 25 years to gather inspiration for my art. (Thus my book, Art & Sacred Sites: Connecting with Spirit of Place). And now I realize – I am also inspired as a person, as a human on this planet. To go out in the world and meet people from other cultures, to see how they dress, how they live, how they make their money, how they spend their creative and leisure time – that is inspiring! Language is not always relevant – it is what we take in with our eyes and with our heart. To record the differences and the similarities – to acknowledge that we are all one.

P1000128

The group at Saqsayhuaman

 

 

On my recent trip to Peru I took a group of mainly artists on my first Peru Art Vacation.  We visited sites in the Sacred Valley where we walked in the footsteps of the ancients – sites such as Saqsayhuaman, Moray, Ollantaytambo, and ofcourse – the jewel in the crown – Machu Picchu. Each day we were awed with a new site.

We finished up with 5 days in Lima, a wonderful metropolitan city bustling with art and culture.  We funneled our new inspiration into creating monotype prints at Taller TRESS, one of a kind images painted with ink on an acrylic plate and transferred to paper with the use of the etching press. Thank you Lara, Sue, Lorraine, Sissel, Synnøve, Dan, Veronica, Carol and Judy for your love of adventure and great spirits!

IMG_7105[1]

At Taller TRESS, Lima

What a fabulous trip! Truly life changing! I loved the places that we stayed and Second Home Peru (in Lima) was so special. Christina and Rueben of Taller Tress were very welcoming and the studio well equipped.  Thank you for a great experience.  And thanks to everyone in the group for being such wonderful traveling companions. I can highly recommend this trip.                                               Sue Gilchrist, Santa Cruz, CA

It was a pleasure and thank you so much for let me be a part of this adventure<3
Feeling happy and inspired back in my routine life:-) My head is full of ideas, and all I want is to print! 
Synnøve Krokstad, Norway

What an amazing trip! Thank you Glen Rogers for making this trip happen, for the printmaking at wonderful Cristina’s studio, for Machu Picchu, Cuzco, the Sacred Valley, Pisaq, and all the lovely people who came together to make this such a great experience. Lara Speyer, San Francisco Bay Area

I will be organizing another Peru Art Vacation for May 2017. Contact me if you are interested. Space is limited to 10 people.  glen@glenrogersart.com

 

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Inspired by Music and Letters

18 Friday Mar 2016

Posted by glenrogers in monotype, Uncategorized

≈ 4 Comments

Tags

Cadenza, chine colle, Glen Rogers, Italy, Lecce, monotype prints, music as inspiration, Scrittures, Scuola International de Grafica

A passage in scripture, a piece of music –a phrase or melody held in the moment to savor.

Scritture I sm

Scritture I, monotype w chine colle over letters, 7″ x 5″

Beautiful hand-written letters I found in a flea market in Lecce, Italy, a lost artform, personal, now public for all to see. Leaving an essence of the person who wrote them – heartfelt intentions – inspired the series, “Scrittures”.

letters

Musical notes dance on the page, a visual feast for the artist – black and white ovals, dots and lines break up the space. For the aficionado, the abstract shapes coalesce into a meaningful tune. Music triggers childhood memories and others through each chapter of my life, marking the passage of time.

Cadenza II sm

Cadenza I, Monotype w Chine colle over sheet music, 22″ x 17″

Chine-collé is a technique in printmaking in which an image is printed on a thinner paper and glued to the base paper at the same time. In this case, I have printed over old letters and sheet music which is bonded to the base paper, Rives BFK. These are unique, one of a kind prints. This work was begun at Scuola Internationale de Grafica, Venice, Italy during my artist in residence  September 2015 and completed in my Mazatlan studio.

 

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The Lotus – timeless image of the Spirit

04 Friday Mar 2016

Posted by glenrogers in Uncategorized

≈ 4 Comments

Tags

Buddha nature, contemporary painting, Glen Rogers, Lotus, meditation, monotype prints, spiritual journey, Spiritual symbols

Floating Lotus III

Floating Lotus III, Oil on Canvas w gold leaf, 27″ x 27″

The lotus, a metaphor for the unfolding of life and spirit, a timeless passage. As in all forms of nature, I begin as a seed and emerge gradually seeking light, my spirit rejoicing upon glimpsing something greater than myself – God, Goddess, All That Is – The Source. In my daily life, with heart, hand and spirit in alignment, I am at my best. Through creativity, meditation, and communing with nature, I seek divine clarity, and with luck, tap into the Collective Unconscious – source of inspiration.

I have used the Lotus as image for many years, and keep returning to it again and again. This timeless symbol finds its way into my prints, paintings and drawings creating a spiritual space for meditation.This simple floral shape associated with Buddha nature transcends its earthly role.

 

Sacred Space I sm

Lotus, 36″ x 27″, Monotype on Handmade Paper

Golden Lotus sm

Lotus, 42″ x 42″, monotype

Lotus III_monotype_42 x 53

Lotus, 42″ x 53″, monotype

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Las Labradas, Mexico- Voices of an Ancient People

07 Monday Dec 2015

Posted by glenrogers in sacred sites

≈ 4 Comments

Tags

archetypal symbols, Glen Rogers, Las Labradas, Mazatlan, monotype prints, petroglyphs in Mexico, Toltecs

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I paid a visit to Las Labradas yesterday – a sacred site north of Mazatlán, Mexico. I’ve been there countless times since my first visit in 1999, each one as breathtakingly beautiful as the last.  The expansive, pristine beach and ocean view alone are beautiful, but it’s the rich array of petroglyphs carved into the volcanic stone that really speak to me.  Moving from boulder to boulder, light and shadow play on the surfaces, revealing spirals, figures and other mysterious glyphs.  These visions and myths, voices of an ancient people, were created in ritual by The Toltecs thousands of years ago. I can’t help but be inspired by its symbols, the merging of stone and water, and the spirit of place.

In the last 15 years, Las Labradas has become a protected site and a tourist destination – a blessing and a curse. One now sees huge tour buses in the parking lot. On my first visit there was no parking lot much less a barely navigable road.  On previous trips, we would have the place to ourselves, rarely seeing another human being. This time, a “guide” silently shadowed me my entire walk, yet (blessedly) allowed me space to do my own thing.  The rocks still hold their magic and will continue to call me back.

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Clearly a pubic triangle. First time I’ve seen this one.

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Some of my monotype prints inspired by Las Labradas:

A - IMG_9251

A - Three Spirals

A - Four Way Path

There is a chapter in my book, Art & Sacred Sites: Connecting with Spirit of Place, on Las Labradas. Contact me for orders: glen@glenrogersart.com

 

 

 

 

 

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Friday Art Post

20 Friday Nov 2015

Posted by glenrogers in archetypal symbols, monotype, Uncategorized

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Tags

Glen Rogers, Lecce, monotype prints, Scritture, Scuola Int'l de Grafica Venice

Printed at Scuola Int’l de Grafica, Venice, Oct. 2015.
Printed over old letter found in a flea market in Lecce, Italy.Scritture VII
“Scritture VII”, 7″ x 5″, monotype w chine colle, 2015

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Recent Posts

  • My Interview with Karen Kinney in her Divine Feminine Newsletter August 5, 2022
  • Calling the Circle A Sacred Feminine Women’s Gathering, San Miguel de Allende, Mexico, November 7-9, 2022 May 22, 2022
  • In Her Power: Images of the Sacred Feminine December 18, 2021
  • Sedona – Visiting a Spiritual Vortex August 10, 2021
  • The Flowering – Re-birth and Renewal March 25, 2021
  • Bernie Meme – being embraced in my ‘Throne for a Goddess’ sculpture. January 24, 2021
  • The Priestess – Feminine Energy in the Time of Insurrection January 13, 2021
  • Revisioning the Venus: San Miguel de Allende to Austria December 17, 2020
  • The Sacred Feminine Trilogy. Watch as a Large Charcoal Drawing develops in the Studio. November 19, 2020
  • ‘Throne for a Goddess’ sculpture in Austria launches Benefit for Rural Girls in Mexico October 6, 2020

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  • Book: Symbols of the Spirit: A Meditative Journey Through Art
  • Oracle Deck: Spirit Cards

About Glen Rogers

An artist who approaches life with an adventurous spirit and a reverence for Mother Earth. One of my favorite quotes, "Leap and the net will appear", has propelled me on a life journey of art and discovery. Visit my website: GlenRogersArt

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Art gallery

Blue Spirit
Blue Spirit
Notes from Monte Alban II
Notes from Monte Alban II
Notes fr Monte Alban V,
Notes fr Monte Alban V,
Phoenix, oil on canvas, 5' x 7'
Phoenix, oil on canvas, 5′ x 7′
Ancient Secrets II
Ancient Secrets II
Writing on the Wall
Writing on the Wall
Spirit of Place
Spirit of Place
Three Wings
Three Wings
Written in Stone
Written in Stone
Spirit Gate
Spirit Gate
Writing on the Wall series

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