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Art and Sacred Sites

~ Glen Rogers shares her artist's journey of travel, inspiration, and creating art.

Art and Sacred Sites

Tag Archives: Creativity

“A Room of One’s Own”

24 Wednesday Jan 2018

Posted by glenrogers in Artist studios, Uncategorized

≈ 13 Comments

Tags

A room of her own, Artist studios, Creativity, inspiration, Mazatlan, painting, printmaking, San Miguel de Allende, Virginia Woolf

The famous line by Virginia Woolf, “A Room of One’s Own”, has always struck a chord with me. The quote comes from a series of essays she wrote in 1928 about carving out a space for oneself – both literal and figurative. It was later adopted as a feminist statement in the 60’s and 70’s.  I translated this ‘room’ as a creative space, a refuge – a studio for the artist. As a young woman coming of age in the 70’s, it was important for me to have just that.

I claimed my first studio while still an undergraduate student at University of Florida. This was a shared space with some photographers, a rather bohemian situation. And even though money was hard to come by, living in student poverty as I was, somehow I found a way.  I needed this creative space away from academia, boyfriends, and other distractions. I was in the process of defining myself as an artist and making that declaration to the world. To have a studio, ‘a room of one’s own’, was a commitment.

When I moved to California in 1979, I got a job right away as a graphic artist fulfilling my financial obligations.  But needing to feed my artist side as well, I answered an ad in Artweek magazine for a studio partner in a printmaking studio in San Jose. Betty and I had a successful partnership sharing a studio for almost 20 years. We moved studio and presses twice – from a converted 2 car garage in Campbell to the Citadel, an old cannery warehouse on 10th and Taylor, and later to the “new” Citadel on 5th and Martha. Having a studio helped define me as a serious artist in the community.

I later moved to Oakland and developed a studio there as well – but not for long, as my heart was pulled in another direction – Mexico.  In 1999, I bought a small house in Mazatlán’s Centro Historico (for $27,000usd!) and soon after, built a studio on the 2nd floor. This was going to be my ‘studio abroad’ – my dream, my pie in the sky.   I had envisioned South of France or Italy, but after one visit to Mazatlán, I was hooked.  This beautiful city on the Sea of Cortez had just what I was looking for and was to be my haven away from the maddening crowds (and traffic!) of the San Francisco Bay Area.  It didn’t take long, less than 2 years, to move there full time and create my dream life.

Fast forward to 2018.  I am in San Miguel de Allende and just built a 3rd floor studio with plenty of natural light, space for painting, printmaking and workshops. Here, I am in a city known for its arts community and gallery scene – and an opportunity to introduce my work to a new market.  Call it the 17year itch – I was definitely ready for a change.

I have always considered an artist’s studio as sacred space – a place to grow, create, and thrive as an artist.

Glen at the Old Citadel

Glen at the Citadel in San Jose, CA, 1980’s

Glen doing a monotype

My 2nd studio in Mazatlan, 2007(?)

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My new studio in San Miguel de Allende

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Ancient Openings/Aperturas Ancestrales

07 Wednesday Dec 2016

Posted by glenrogers in ancient symbols, Art, Uncategorized

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archetypes, Bienal de Grabado, Creativity, Glen Rogers, ICPNA, inspiration, Lima, Peru, printmaking, spiritual journey, travel

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I went to Lima, Peru in October, where I had a solo exhibition thru November 27 as part of the Bienal Internacional de Grabado (International Biennal of Printmaking) sponsored by ICPNA ( Instituto Cultural Peruano Norteamericano). There were over 40 exhibitions as part of the Biennal over a 2 month period and represented artists from Belgium, Brazil, Chile, Spain, the U.S., Finland, France, Italy, Mexico and Peru.

In this exhibition at Galeria ICPNA San Miguel, I had the opportunity to exhibit early large-scale prints along with recent works.  I created most of these prints at KALA Institute in Berkeley, California in the early 1990’s, they represent the beginning of my exploration into symbolism as my primary artistic expression. My work continues along this line, and it was gratifying to see how seamlessly the work flowed.

All of the monotype prints draw from a universal visual language of primal forms created by early cultures and inspired by nature.  The circle speaks of unity, oneness, wholeness, the sun and the moon; the spiral reflects renewal, regeneration, evolution and growth; the oval or ‘vesical piscis’ is a symbol from sacred geometry that implies the womb, the seed, birth, and the beginning of life.  My intent over the last 20 years has been to create work that reflects the essence of these forms that can touch us on an intuitive level.

I visit sacred sites shrouded in mystery and imbued with the spirit of the ancients for inspiration. With each pilgrimage, I am drawn to the artifacts left behind by these early societies – sculptural details carved in stone, glyphs painted on cave walls, and designs found on pottery shards.  In each location, repetition is found in the form of archetypal symbols such as the circle and the spiral – universal symbols that according to Carl Jung evoke a deep and unconscious response.  Early on, I was drawn to Paleolithic and Neolithic sites where images of Mother Earth, the Divine Feminine, were revered.  (Among them: Newgrange in Ireland, The Temple of Knossos in Crete, and the caves in the south of France.)  My more recent visits to Machu Picchu, the Nazca Lines, and Sillustani in Peru also reveal a deep reverence for nature, Spirit and the cycles of life. For me, each site represents a mystical opening, a passage to something greater than ourselves, beyond the human experience.

In the studio, bold symbols emerge from the inked plate in a somewhat stream-of-conscious manner, my head and heart filled with new material.  The monotype allows me a spontaneous approach and results in a one-of-a kind image. Scratching the plate with a drypoint tool, I create a textural surface suggesting primeval walls worn down by time.  A mystical and meditative quality references the ritual of sacred space while the curvilinear forms refer to the Divine Feminine.  Symbols create openings that can connect us to the past and to the spiritual realm. As I work the surface of the plate and access these ancient forms and markings, I feel an affinity with those who have come before me.

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Friday Art Post

21 Friday Aug 2015

Posted by glenrogers in Uncategorized

≈ 10 Comments

Tags

contemporary painting, Creativity, Lotus, Mathew Fox, rebirth

My newest painting in the Floating Lotus series.  The lotus is associated with the 7 chakras in Buddhism – purity, an awakening of spirit, spiritual enlightment.  In Egyptian mythology, the lotus flower is a symbol of the sun, creation and rebirth. The lotus has been a recurring image in my prints and paintings over the last 20 years.

Floating Lotus III, 27″ x 27″, Oil on Canvas w gold leaf, copyright 2015

“To speak of creativity is to speak of profound intimacy. It is to speak of our connecting to the Divine in us and of our bringing the Divine back to the community.” From Creativity: Where the Divine and the Human Meet, Mathew Fox

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Recent Posts

  • My Interview with Karen Kinney in her Divine Feminine Newsletter August 5, 2022
  • Calling the Circle A Sacred Feminine Women’s Gathering, San Miguel de Allende, Mexico, November 7-9, 2022 May 22, 2022
  • In Her Power: Images of the Sacred Feminine December 18, 2021
  • Sedona – Visiting a Spiritual Vortex August 10, 2021
  • The Flowering – Re-birth and Renewal March 25, 2021
  • Bernie Meme – being embraced in my ‘Throne for a Goddess’ sculpture. January 24, 2021
  • The Priestess – Feminine Energy in the Time of Insurrection January 13, 2021
  • Revisioning the Venus: San Miguel de Allende to Austria December 17, 2020
  • The Sacred Feminine Trilogy. Watch as a Large Charcoal Drawing develops in the Studio. November 19, 2020
  • ‘Throne for a Goddess’ sculpture in Austria launches Benefit for Rural Girls in Mexico October 6, 2020

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About Glen Rogers

An artist who approaches life with an adventurous spirit and a reverence for Mother Earth. One of my favorite quotes, "Leap and the net will appear", has propelled me on a life journey of art and discovery. Visit my website: GlenRogersArt

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Art gallery

Blue Spirit
Blue Spirit
Notes from Monte Alban II
Notes from Monte Alban II
Notes fr Monte Alban V,
Notes fr Monte Alban V,
Phoenix, oil on canvas, 5' x 7'
Phoenix, oil on canvas, 5′ x 7′
Ancient Secrets II
Ancient Secrets II
Writing on the Wall
Writing on the Wall
Spirit of Place
Spirit of Place
Three Wings
Three Wings
Written in Stone
Written in Stone
Spirit Gate
Spirit Gate
Writing on the Wall series

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