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Art and Sacred Sites

~ Glen Rogers shares her artist's journey of travel, inspiration, and creating art.

Art and Sacred Sites

Tag Archives: monotype prints

For your Bucket List after the Pandemic Covid-19 breaks.

10 Friday Apr 2020

Posted by glenrogers in Art, Art Vacations, Covid 19 Pandemic, monotype, Monotype Print Workshops, printmaking studio

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Tags

art workshops in Mexico, artist vacations, monotype printing, monotype prints, San Miguel de Allende

We still need to dream! When all this is over, and this too shall pass, there just may be a new normal. Will we be able to travel as freely as before? For that, we shall see. But if you do get to travel, and you want to combine your journey to a beautiful and historic location with art and creativity, here is what I can offer, Monoprint Workshops in San Miguel de Allende, Mexico, an Unesco World Heritage site. Dream on! Add it to your Bucket List.

Monoprint Workshops in San Miguel de Allende, Mexico with Glen Rogers

http://www.glenrogersart.com

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‘Her Story’ – A return to the figure with new paintings and prints

05 Friday Apr 2019

Posted by glenrogers in Uncategorized

≈ 2 Comments

Tags

contemporary painting, figurative prints and paintings, Glen Rogers Art, monotype prints, San Miguel de Allende

Glen Rogers – New Works – Opening at Galeria Espiral, Fabrica Aurora, San Miguel de Allende Saturday April 6, 5-7pm and for the month of April

With these new paintings and prints, I honor women and the sacred feminine . With each new life passage, she has a desire to be heard and respected.  Women share an inherent strength to face challenges in the present, demons from the past, and uncertain futures. In Her Story and Black Madonna, mothers, sisters, and daughters display the power of the feminine. While they radiate independence, they also acknowledge the arbitrary barriers and obstacles that women often encounter. These women stand at the threshold of their lives and hold a shared wisdom as divine creators.

“HerStory – Facing the Past”, oil on panel, 24″ x 20″, 2018

The return to the figure began in September when I went to Morocco for an artist residency. I planned on pursuing symbols inspired by Moorish design but something shifted, as often happens when I travel and create in a new locale. To my surprise, the figure reappeared – this time in the form of Islamic women in their head dresses and jallabas – with a series of prints, Anonymous in Morocco. (Read my blog on Morocco here: https://wordpress.com/block-editor/post/artandsacredsites.com/1626). This new direction was not a conscious choice – yet these figures showed themselves and transformed my imagery to figurative after more than 25 years of working symbolically.

Her Story I, Monoprint, 22 x 14″, 2019

Black Madonna, monoprint, 7″ x 5″, 2019

Contact me for prices or more information: glen@glenrogersart.com

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The Ouroboros and the Eternal Return

08 Thursday Sep 2016

Posted by glenrogers in ancient symbols, archetypal symbols, Art, inspiration

≈ 2 Comments

Tags

ancient symbols, archetypal symbols, contemporary painting, creative spirit, inspiration, monotype prints, Oaxaca Art Vacation, Ouroboros, printmaking

 

Ouroboros, ancient symbol

Ouroboros, monotype print, 30″ x 22″

In my Mazatlan studio, the Ouroboros rears her head and almost bites her tail.

The Ouroboros is an ancient symbol depicting the snake or serpent eating its own tail. There are many interpretations but in general it signifies Eternity or the never ending cycle – something constantly re-creating itself. Carl Jung named it the archetype of the human psyche. It is considered a symbol for introspection.  In Alchemy, it is infinity or wholeness.

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The Ouroboros has appeared in many cultures with the earliest siting in Egypt dating back to 1600BC. The Phonecians used it – then the Greeks who named the symbol, Ouroboros, which means devouring its tail. In Aztec mythology, Queztacoatl, was similarly depicted. More on the Ouroboros:  http://www.tokenrock.com/explain-ouroboros-70.html

 

The Ouroboros is closely connected to the circle and the spiral, two universal symbols that also point to wholeness and regeneration. These two symbols have been mainstays in my work over the years – but I had never used the Ouroboros until recently.

hector-hernandez-drawing

 

What changed? After taking my group down to Oaxaca for the Oaxaca Art Vacation in July, I stayed for another week to soak in the city and the culture. I saw several works of art utilizing the Ouroboros symbol. I bought a watercolor by Hector Hernandez – a very simple cobalt blue rendition painted over some sheet music. I had recently done a series using sheet music as chine colle in my monoprints – so that caught my attention. I had admired this artist’s work over the years.

 

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On a tour of printmaking workshops in Oaxaca, the Ouroboros pops up again in this gorgeous large-scale woodcut entwined with figures.

As an artist, I draw my inspiration from ancient art to contemporary works. Whose to say what and where will get the juices flowing….We all have our on voice, our own style and way of working with the imagery at hand.

 

 

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Uxmal – Visiting a Mayan Treasure in the Yucatan

08 Friday Jul 2016

Posted by glenrogers in Uncategorized

≈ 4 Comments

Tags

archetypal symbols, Glen Rogers, Mayan sites, monotype prints, Sacred Sites in Mexico, Uxmal

Uxmal pyramd

Pyramid of the Magician

I had the good fortune to visit the the ancient Mayan city of Uxmal last February.  Excaping the craziness of Mazatlan’s Carnaval was a prime motivation, but landing in the Yucatan wasn’t a bad choice.  Uxmal is located outside the city of Merida, Mexico and doesn’t get near the number of visitors that Chichen Itza receives each day, 2000 vs 20,000 I was told. (I had visited Chichen Itza many years before.)  Plus, the day we visited it was overcast and rainy which also kept the numbers down and so a very pleasant experience.

Uxmal artifacts sm
Uxmal spiral

Walking the site was a visual delight. My eyes filled with this ancient architecture, my feet following in the footsteps of the ancestors. I crept inside a hidden space and sat for a moment, alone, soaking up the silence, overcome by the spirit of place. I was particularly drawn to the stone carvings, the circles, spirals, etc., the same universal symbols found in ancient sites around the world. Looking through an artist’s eyes, I relish the forms and shapes, the details.  This is what makes an ancient civilization come alive for me.

Uxmal overview
Uxmal pyramids

Some say Uxmal dates to around 6th century AD, others claim it is much older. I’m not much for retaining the history, remembering the names of kings, who ruled when, etc. so if you would like to learn more, you can visit this site: ancient-origins.net

Back in my Mazatlan studio, I play around with the shapes, creating a series of small 7″ x 5″ monotypes (one of a kind prints) – Uxmal I, II, & III. I layer texture and color to achieve the look of an aged document. As an artist, I am open to letting things happen on the plate, synchronicity in the studio, stacking the glyphs, letting them order themselves, and in this case, pairing them with a vertical column.

Notes from Uxmal I smNotes from Uxmal II sm

Notes from Uxmal III sm

Contact me if you are interested in my work or process. www.glenrogersart.com

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Inspired by Music and Letters

18 Friday Mar 2016

Posted by glenrogers in monotype, Uncategorized

≈ 4 Comments

Tags

Cadenza, chine colle, Glen Rogers, Italy, Lecce, monotype prints, music as inspiration, Scrittures, Scuola International de Grafica

A passage in scripture, a piece of music –a phrase or melody held in the moment to savor.

Scritture I sm

Scritture I, monotype w chine colle over letters, 7″ x 5″

Beautiful hand-written letters I found in a flea market in Lecce, Italy, a lost artform, personal, now public for all to see. Leaving an essence of the person who wrote them – heartfelt intentions – inspired the series, “Scrittures”.

letters

Musical notes dance on the page, a visual feast for the artist – black and white ovals, dots and lines break up the space. For the aficionado, the abstract shapes coalesce into a meaningful tune. Music triggers childhood memories and others through each chapter of my life, marking the passage of time.

Cadenza II sm

Cadenza I, Monotype w Chine colle over sheet music, 22″ x 17″

Chine-collé is a technique in printmaking in which an image is printed on a thinner paper and glued to the base paper at the same time. In this case, I have printed over old letters and sheet music which is bonded to the base paper, Rives BFK. These are unique, one of a kind prints. This work was begun at Scuola Internationale de Grafica, Venice, Italy during my artist in residence  September 2015 and completed in my Mazatlan studio.

 

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The Lotus – timeless image of the Spirit

04 Friday Mar 2016

Posted by glenrogers in Uncategorized

≈ 4 Comments

Tags

Buddha nature, contemporary painting, Glen Rogers, Lotus, meditation, monotype prints, spiritual journey, Spiritual symbols

Floating Lotus III

Floating Lotus III, Oil on Canvas w gold leaf, 27″ x 27″

The lotus, a metaphor for the unfolding of life and spirit, a timeless passage. As in all forms of nature, I begin as a seed and emerge gradually seeking light, my spirit rejoicing upon glimpsing something greater than myself – God, Goddess, All That Is – The Source. In my daily life, with heart, hand and spirit in alignment, I am at my best. Through creativity, meditation, and communing with nature, I seek divine clarity, and with luck, tap into the Collective Unconscious – source of inspiration.

I have used the Lotus as image for many years, and keep returning to it again and again. This timeless symbol finds its way into my prints, paintings and drawings creating a spiritual space for meditation.This simple floral shape associated with Buddha nature transcends its earthly role.

 

Sacred Space I sm

Lotus, 36″ x 27″, Monotype on Handmade Paper

Golden Lotus sm

Lotus, 42″ x 42″, monotype

Lotus III_monotype_42 x 53

Lotus, 42″ x 53″, monotype

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Mitla, A Place of Ritual and Ceremony

21 Thursday Jan 2016

Posted by glenrogers in sacred sites, Sacred Sites in Mexico, Uncategorized

≈ 6 Comments

Tags

archeological sites in Mexico, archetypal symbols, Mitla, monotype prints, Oaxaca Valley, Zapotec culture

IMG_4719

Mitla, an archelogical site in the Oaxaca Valley, inspired me with its running spirals, zig-zags and chevrons created with stone mosaics throughout the site. These intricate, geometrically designed patterns are what sets it apart from other pyramids in Mexico. Walking among these temples was a spiritual journey in itself, visioning what rites and rituals occurred within these ancient walls. One named, House of the Vital Force, really piqued my imagination. Mitla was a major Zapotec religious center that reached its zenith between 750 and 1521 and now a UNESCO World Heritage Site.

A - Mitla

Here are a few artworks created in the studio after visiting this site. I’m always trying to capture the mystery, the essence of a sacred space, rather than illustrate the site.

Notes from Mitla III, Oil on wood panel, 29" x 18"
Notes from Mitla III, Oil on wood panel, 29″ x 18″
Notes from Mitla I, Oil on wood panel, 29" x 18"
Notes from Mitla I, Oil on wood panel, 29″ x 18″

 

Mitla I, Monotype, 7" x 5"
Mitla I, Monotype, 7″ x 5″
Mitla III, Monotype, 7" x 5"
Mitla III, Monotype, 7″ x 5″

 

 

 

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Las Labradas, Mexico- Voices of an Ancient People

07 Monday Dec 2015

Posted by glenrogers in sacred sites

≈ 4 Comments

Tags

archetypal symbols, Glen Rogers, Las Labradas, Mazatlan, monotype prints, petroglyphs in Mexico, Toltecs

IMG_1969IMG_1986

I paid a visit to Las Labradas yesterday – a sacred site north of Mazatlán, Mexico. I’ve been there countless times since my first visit in 1999, each one as breathtakingly beautiful as the last.  The expansive, pristine beach and ocean view alone are beautiful, but it’s the rich array of petroglyphs carved into the volcanic stone that really speak to me.  Moving from boulder to boulder, light and shadow play on the surfaces, revealing spirals, figures and other mysterious glyphs.  These visions and myths, voices of an ancient people, were created in ritual by The Toltecs thousands of years ago. I can’t help but be inspired by its symbols, the merging of stone and water, and the spirit of place.

In the last 15 years, Las Labradas has become a protected site and a tourist destination – a blessing and a curse. One now sees huge tour buses in the parking lot. On my first visit there was no parking lot much less a barely navigable road.  On previous trips, we would have the place to ourselves, rarely seeing another human being. This time, a “guide” silently shadowed me my entire walk, yet (blessedly) allowed me space to do my own thing.  The rocks still hold their magic and will continue to call me back.

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Clearly a pubic triangle. First time I’ve seen this one.

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Some of my monotype prints inspired by Las Labradas:

A - IMG_9251

A - Three Spirals

A - Four Way Path

There is a chapter in my book, Art & Sacred Sites: Connecting with Spirit of Place, on Las Labradas. Contact me for orders: glen@glenrogersart.com

 

 

 

 

 

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The Language of the Goddess

27 Friday Nov 2015

Posted by glenrogers in ancient sites in Europe, Art, sacred sites

≈ 8 Comments

Tags

archetypal symbols, KALA Institute, Language of the Goddess, Marija Gimbutas, matrilineal, monotype prints, Neolithic goddess culture, Riane Eisler

M G page of symbolsma Gimbutas page 2

In the early 90’s, Marija Gimbutas’ book, The Language of the Goddess, (Harper & Row, San Francisco, 1989) had a huge impact on my work. In this book, Gimbutas, a revisionist anthropologist, provided a fresh look at the Neolithic Goddess Culture, cataloguing the artifacts and symbols found on cave walls, rocks, sculpture and pottery from Old Europe. These matrilineal societies, peaceful and agrarian, existed long before our current patriarchal system. (The Chalice & The Blade, Riane Eisler)

At the time I discovered Gimbutas’ book, my artwork focused on the female figure in a feminist vein.  But while an artist in residence at KALA Institute, I began creating large-scale monotype prints that reflected many of the symbols I’d found in her book. The spiral, the pubic triangle, the chevron and concentric circles began appearing in these 42” x 55” monotypes. It was at that point, my art shifted direction to focus on archetypal symbols with a decidedly feminine nature, inspired by the ancient goddess cultures around the world. My work today still carries the influence from this pivotal point in my career.  Here are some of these early prints, some of which are still available. Contact me if you are interested is seeing more.

Energy sm

Vortex

Power of Three Comb_monotype_55 x 42

The Power of Three – Comb

Chevron_monotype_55.5 x 42

Chevron

Circular Passage_monotype_54.5 x 42

Circular Passage

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Friday Art Post

20 Friday Nov 2015

Posted by glenrogers in archetypal symbols, monotype, Uncategorized

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Glen Rogers, Lecce, monotype prints, Scritture, Scuola Int'l de Grafica Venice

Printed at Scuola Int’l de Grafica, Venice, Oct. 2015.
Printed over old letter found in a flea market in Lecce, Italy.Scritture VII
“Scritture VII”, 7″ x 5″, monotype w chine colle, 2015

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Recent Posts

  • My Interview with Karen Kinney in her Divine Feminine Newsletter August 5, 2022
  • Calling the Circle A Sacred Feminine Women’s Gathering, San Miguel de Allende, Mexico, November 7-9, 2022 May 22, 2022
  • In Her Power: Images of the Sacred Feminine December 18, 2021
  • Sedona – Visiting a Spiritual Vortex August 10, 2021
  • The Flowering – Re-birth and Renewal March 25, 2021
  • Bernie Meme – being embraced in my ‘Throne for a Goddess’ sculpture. January 24, 2021
  • The Priestess – Feminine Energy in the Time of Insurrection January 13, 2021
  • Revisioning the Venus: San Miguel de Allende to Austria December 17, 2020
  • The Sacred Feminine Trilogy. Watch as a Large Charcoal Drawing develops in the Studio. November 19, 2020
  • ‘Throne for a Goddess’ sculpture in Austria launches Benefit for Rural Girls in Mexico October 6, 2020

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About Glen Rogers

An artist who approaches life with an adventurous spirit and a reverence for Mother Earth. One of my favorite quotes, "Leap and the net will appear", has propelled me on a life journey of art and discovery. Visit my website: GlenRogersArt

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Art gallery

Blue Spirit
Blue Spirit
Notes from Monte Alban II
Notes from Monte Alban II
Notes fr Monte Alban V,
Notes fr Monte Alban V,
Phoenix, oil on canvas, 5' x 7'
Phoenix, oil on canvas, 5′ x 7′
Ancient Secrets II
Ancient Secrets II
Writing on the Wall
Writing on the Wall
Spirit of Place
Spirit of Place
Three Wings
Three Wings
Written in Stone
Written in Stone
Spirit Gate
Spirit Gate
Writing on the Wall series

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