The Flowering – Re-birth and Renewal

25 Thursday Mar 2021

Posted by glenrogers in ancient symbols, archetypal symbols, Spiritual symbols

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archetypal symbols, contemporary prints, Divine Feminine, Goddess imagery, monoprints, monotype printing, Sacred Feminine, spring, Symbols of Birth

The Flowering I, II, III – Monoprints, 7″ x 5″

The Flowering V, IX, X – Monoprints, 7″ x 5″

Spring is synonymous with terms like re-birth, renewal, and regeneration. With the Vernal Equinox which occurred on March 20, our days have started to become longer and there is more available light each day – buds have begun to emerge, flowers have begun to blossom. Spring is a time of hope and new beginnings.

In this new series of ten small monoprints The Flowering, 6″ x 5″, there are many metaphors to be found. Yes – seeds, flowers, opening, re-birth and renewal – all the images of Spring. The colors are bursting forth with a certain exhilaration – magentas and oranges, and various shades of reds. I use stencils of flowers, vines and mandalas to enhance and marry the images of nature. All of these prints celebrate an explosion of new life.

The Flowering also speaks to the Sacred Feminine and her role as Giver of Life. The focal point of these prints is an ancient fertility symbol, the rounded pubic triangle from which new life blossoms. As far back as the Paleolithic era, there are examples of the simplified vulva depicted on figurines and cave walls. These early markings point to fecundity and the miracle of life. Early ceramics from the Minoan and Cycladic cultures also use this motif to honor the birth-giving aspect of the Goddess. In this case, the female symbol was often flanked by sprouting seeds and young plants as the vulva was associated with the seed of wild fruit. (Sourced from Language of the Goddess by Marija Gimbutas)

In The Flowering, I borrow from a universal visual language to carry on an ancient tradition of honoring women in their role as Life-Giver. The vulva is an archetype, a vessel to hold new life. There is a promise of magic in the process of birthing something new…

If you would like to see more, or are interested in these prints, contact me: glen@glenrogersart.com

The Sacred Feminine Trilogy. Watch as a Large Charcoal Drawing develops in the Studio.

19 Thursday Nov 2020

Posted by glenrogers in Art, Artist studios, Sacred Feminine in ARt, Spiritual symbols, Uncategorized

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charcoal drawing, Covid 19, figurative prints and paintings, in the studio, Sacred Feminine, Spiritual in Art

Sometimes you create a piece of art because of the materials you have available to you. This is especially true during the Covid-19 lock down. I had this beautiful large sheet of amate paper, a hand-made paper made in a village near Puebla, Mexico, rolled up in a corner and nearly forgotten. I bought the paper for the size, 45″ x 97″ – finding paper that size isn’t easy – so you grab it when you can. But the sheer beauty of it also attracted me. I bought a couple of sheets from the maker who was traveling through Mazatlan a number of years ago.

In June, I unfurled and tacked the huge paper up on my sheetrock wall in my studio (in San Miguel de Allende) not knowing what I was going to do – without a plan. That’s my normal modus operandi: show up at the page and see what happens. I’d thought I might cut it into 3 pieces after I got started. And since I’ve been working figuratively, I began in the center – sketching in a rough figure with charcoal.

I love working with charcoal, although it is very messy. It’s a very sensual medium, one you have to get your hands into. A push/pull of black and white, adding and subtracting, making marks and erasing. Smearing, rubbing, softening with fingers, rags, and erasures. As the figures took form, the symbols began to emerge from the page as well – the moon, the circle, the bird, wings, the spiral, the ouroboros (snake), and flowers.

I began to see the power in the full size paper – no way was I going to cut it into three pieces! It won’t be easy to frame or exhibit, but art is not practical and we don’t make practical choices in the studio.

As the figures emerged, a story developed and The Sacred Feminine Trilogy came to life. On the left is ‘Strength’ – a young woman turns towards center one hand in a fist, in defiance – “a don’t mess with me stance”. A bird sits on her shoulder, another hovers nearby, possibly her Spirit Guides. In the center is ‘Spirit’ – one hand upturned to receive, the other to give back, a sacred mudra or hand gesture. She stands in front of the Full Moon, a sacred feminine symbol if there ever was one, her wings fully in place – suggesting she is a spiritual entity. The Ouroboros, the snake eating its tail, encircles the moon, an ancient symbol for renewal and the cycle of life. On the right is ‘Abundance’ – the Mother, pregnant and abundant with life. She holds white Cala lilies in front of her stomach – a symbol for fertility – and looks towards ‘Spirit‘ for guidance.

The viewer’s interpretation is as valid as the artist’s. What do you read into the Trilogy? Enjoy!

Spirit Cards, an oracle deck inspired by universal symbols that honor the Sacred Feminine.

31 Monday Aug 2020

Posted by glenrogers in archetypal symbols, Oracle Cards, Spiritual symbols

≈ 4 Comments

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Ancient oracle, archetypes, divination, inspiration, meditation, Oracle Cards, Sacred Feminine, spiritual journey

This deck of 50 oracle cards is a contemporary approach to an ancient tradition. The images, inspired by universal symbols that honor Mother Earth and the Sacred Feminine, were created over a 30-year period by artist Glen Rogers. In her books Art & Sacred Sites: Connecting with Spirit of Place and Symbols of the Spirit: A Meditative Journey Through Art, she shares her pilgrimages to sacred sites around the world and her interest in archetypes and their universality. For Glen, creating in the studio is a form of meditation and a way to evoke a connection to the Divine Spirit. Her paintings and prints share a mystical quality that transcend into the spiritual realm. Spirit Cards were conceived during the covid quarantine, a silver lining to troubling times.

These unique oracle cards are 5 3/8″ x 3 1/2″

In Man and His Symbols, Carl G. Jung refers to certain symbols as archetypal: images that all of us can tap into through our unconscious mind, dream states and the creative process. He believed that “the greatest and best thoughts of man shape themselves upon primordial images,” and that archetypes—symbols from the collective unconscious—are metaphysical in nature. On my travels to sacred sites around the world, I learned firsthand that there truly is a universal visual language that connects us all.

Throughout my adult life, I have consulted various divination methods—astrology, psychics, the I Ching—all with eye-opening results. One of my favorites is Angeles Arrien’s interpretation of the Thoth deck in her Tarot Handbook. From her perspective, the ancient wisdom of the Tarot offers an opportunity to see life as a process of “walking the mystical path with practical feet.” Spirit Cards are a form of divination as well, a way of seeking clarity on an issue, and a simple-to-use form of reflection and contemplation to add to your daily practice.

Oracle cards can be a tool on your journey of self-discovery, a way to inspire and awaken the Light within. For some, they are synchronicity at work through both image and word, allowing the unknown to become known. Open your mind, heart and spirit to the messages you receive and reflect on how they resonate with you. Meant to inspire and offer food for thought, each Spirit Card you choose is the right card for you at that moment. Comes with booklet with instructions and interpretations.

Pre-order Now! Introductory price $25 USD plus shipping. Visit my website to purchase: glenrogersart.com

Special Offer: The first 50 orders received includes a beautiful gold pouch to store your cards!

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Inspired by The Lotus – A Symbol of Renewal

17 Monday Dec 2018

Posted by glenrogers in archetypal symbols, Spiritual symbols

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archetypes, Lotus, Spiritual in Art, spiritual journey, Spiritual symbols

“Golden Lotus”, triptych, 17 ¾” x 41”, Oil on panel with gold leaf, , 2018

Some say the origin of all art is spiritual; it was a way for early humans to commune with a higher and unseen power through mark-making. Many ancient cultures embraced the lotus as a powerful image and spiritual symbol. The Egyptians used it in their art and architecture to symbolize rebirth and regeneration. They considered it a sacred flower and used it in rituals, ceremonies and medicines for its restorative qualities. In the Kamasutra, an ancient Hindu text about human sexuality, the lotus is a symbol of the source from which all life arises.

My spiritual journey has coincided with my infatuation with the lotus. It was in Bali that I first saw the pink lotus in its full glory—the most sacred color of the lotus flowers. Floating on a small pond, the lotus blossoms in various stages of unfolding captured my heart. This had a profound effect on me, as if I was seeing the Buddha himself reincarnated. In both Buddhism and Hinduism, the lotus is a sacred flower and refers to spiritual awakening and purity of heart. It’s the cycle of the lotus that provides the metaphor for rebirth—with the bud emerging from muddy waters each morning and gradually opening with perfectly clean petals. Each lotus bud represents potential, and with the fully formed blossom comes Nirvana. In my meditations, the image of the lotus unfolding is my heart opening to Spirit.

Golden Lotus, 42” x 53”, Monotype, 2013

The image of the lotus continues to be popular in our contemporary culture. Graphic logos offering tranquility and peace can be found on candles, yoga mats and clothing. The simplicity of form and power of idea elicits a universal message.

Incorporating the lotus into my artwork is meant as a spiritual metaphor, not just the image of a beautiful flower. Using simple graphic strokes, I try to capture the hidden aura of the plant and reveal an ethereal side of nature. Carl G. Jung said that the symbol (any symbol) is the psychological mechanism for transforming energy. Through this simple form, I attempt to transform a blank canvas into something mystical, giving the viewer a spiritual connection through my art.

Allegory of the Spirit, 56” x 56”, Oil on canvas, 2016

Jung in his book, Man and His Symbols, referred to certain symbols as archetypal—images that all of us can tap into through our unconscious mind, dream states and the creative process. He believed that “the greatest and best thoughts of man shape themselves upon primordial images,” and that archetypes—symbols from the collective unconscious – are metaphysical in nature. On my travels to sacred sites around the world, I learned firsthand that there truly is a universal visual language that connects us all.